History-makers and historical crimes: 2025 Ngaio Marsh Award winners revealed

History-makers and historical crimes: 2025 Ngaio Marsh Award winners revealed in Dame Ngaios’ hometown 

A quartet of talented Kiwi writers were honoured at a special WORD Christchurch event on Thursday night as they scooped the 2025 Ngaio Marsh Awards for books meshing compelling narratives with important issues

In the sixteenth instalment of Aotearoa’s annual awards celebrating excellence in crime, mystery, thriller, and suspense writing, journalist Kirsty Johnston and academic James Hollings won Best Non-Fiction for their in-depth re-examination of our nation’s most notorious cold case in The Crewe Murders (Massey University Press), while Otago-based academic turned author Wendy Parkins scooped Best First Novel for her historical tale of gaslighting, abuse, and one woman's fight in the 19th century in The Defiance of Francis Dickinson (Affirm Press), and Auckland filmmaker and author Michael Bennett  (Ngāti Pikiao, Ngāti Whakaue) made Ngaios history by winning Best Novel for his second Hana Westerman tale Return to Blood (Simon & Schuster).

“It was a great night to cap an outstanding season for the Ngaio Marsh Awards, thanks to a terrifically strong and varied group of finalists,” says awards founder Craig Sisterson. “We were particularly stoked to have the marvellous Court Jesters involved, delivering a wonderful improv murder mystery we’re sure would have tickled theatre-loving Dame Ngaio; a full circle moment back to our original plans in 2010.”

Wendy Parkins (right) with modern 
Queen of NZ crime Vanda Symon

Last night, following the interactive improv murder mystery, the 2025 Ngaios winners were revealed in among readings from the attending finalists. Parkins was stunned to find herself onstage accepting the 2025 Ngaio Marsh Award for Best First Novel, joining a roll of honour for that debut prize that includes past winners like JP Pomare (Call Me Evie), RWR McDonald (The Nancys), Jacqueline Bublitz (Before You Knew My Name), Michael Bennett (Better the Blood) and last year’s winner Claire Baylis (Dice).

The judges praised Parkins’ novel, which was inspired by a sensational Edwardian trial, as a “skilfully written historical tale that soaks readers in an era and attitudes which have some scary echoes today”.

Hollings, an Associate Professor at Massey University in Wellington, was thrilled to receive the trophy for Best Non-Fiction for The Crewe Murders, on behalf of himself and Kirsty Johnston, one of Aotearoa’s leading investigative journalists. The non-fiction judging panel praised the duo for centring the Crewes in their scrupulously researched book, layered with forensic and legal detail, and went on to say: “Among a small library of writing about the Crewes and Arthur Allan Thomas, this should be regarded as the definitive record of one of New Zealand’s most infamous and troubling crimes”. 

The Ngaios evening closed with more history, as acclaimed filmmaker and author Bennett became the first-ever Best First Novel winner to then go on to win the Ngaio Marsh Award for Best Novel with a later book. He also joined Paul Cleave, the modern King of Kiwi Crime, as the only three-time Ngaios winner, having previously won the Best Non-Fiction category in 2017 for In Dark Places, his stunning account of Teina Pora’s wrongful conviction and long fight to clear his name. 

The Best Novel international judging panel, which included several leading critics from Australia, the UK, and New Zealand, praised Return to Blood for its "Excellent characters that populate a nuanced and telling plot that tackles a juxtaposition of ideas of what constitutes justice”, noting Bennett’s second novel featuring Māori sleuth Hana Westerman heralds “what’s already looking like superb crime series”. 

Bennett’s Hana Westerman novels have been into several languages, become the only detective series shortlisted for the Ockham NZ Book Awards, won or been shortlisted for several other prestigious awards in Australia, New Zealand, the UK, United States, and Japan, and are in development for a screen series. 

For more information on any of our 2025 Ngaio Marsh Awards winners or finalists, or the Ngaios in general, please contact ngaiomarshaward@gmail.com.

15 Years of the Ngaios: our first trophy and first winner, belatedly photographed

When the Ngaio Marsh Awards was originally launched in 2010, it marked a new era in New Zealand crime, mystery, and thriller writing (later nicknamed #yeahnoir, thanks Steph Soper).

We finally had an award to celebrate our best Kiwi works in the world's most popular storytelling genre. Murmurs around the local literary world were largely positive, and a big September 200 event - including a murder mystery-themed performance by the famous Court Theatre - was scheduled to headline that year's Christchurch Writers Festival in the prime Saturday night slot.

Unfortunately, everything changed when a few days beforehand the first of two major earthquakes struck Christchurch. Fortunately no lives were lost then (unlike the devastating 'quake a few months later), but infrastructure was badly damaged, and the festival was cancelled. Then, in December 200 a good crowd turned out for a one-off special event, fundraising for earthquake recovery, complete with finalists Vanda Symon and Neil Cross, and Christchurch crime writer Paul Cleave. Unfortunately, as s/he was writing under a pseudonym at that time, the inaugural winner was not there to claim their well-earned prize in person: Alix Bosco for their terrific debut thriller CUT & RUN.

For a while we thought we may see our first Ngaios winner onscreen, as it was in development, with Robyn Malcolm set to star as heroine Anna Markunas, a middle-aged legal researcher who gets caught up in a celebrity murder case. But we never had a picture of our very first winner with the first award - a terrific and distinctive handcrafted trophy created by sculptor Gina Ferguson. We did get some great pics of Paul Cleave with his 2011 Ngaio, and Neil Cross with his 2012 one, etc.

Our original Ngaios evening was still a fabulous night, and it was great to have New Zealand crime fiction finally being celebrated in such a way. The Ngaio Marsh Awards have gone from strength to strength in the years since, but as founder of the Ngaios it did irk me for a while that we didn't have a picture of Greg McGee (who 'came out' as Alix Bosco in 2011) with the very first trophy.

Fortunately, a few years later, thanks to talented Kiwi photographer Maja Moritz, we did. 

The lovely photo above was part of a photographic series of 43 New Zealand authors that Moritz did for DPA Picture Alliance in Germany in association with New Zealand being the Guest of Honour at the Frankfurt Book Fair. As part of that project, Moritz took some photos of Greg McGee at his house, including this one of him holding up the Ngaio Marsh Award he'd won as 'Alix Bosco' a couple of years before. Later, Maja and I connected, and she kindly let us use the pic of Greg and the Ngaios trophy.

Thank you Maja. As we approach our 15th anniversary event in Christchurch tonight, we still really appreciate you sharing your talent, and work, with us in our early years. So who will be taking pics with Ngaios trophies in 2025? You can find out tonight at "The Ngaio Marsh Awards and The Murderous Mystery" at Turanga Christchurch City Libraries from 6pm. 

For those in the Canterbury area, here's some further and details for last-minute tickets: https://wordchristchurch.co.nz/programme/the-ngaio-marsh-awards-and-the-murderous-mystery/

Here are the prime suspects (2025 finalists) who are in the running, across three categories. 

BEST NON-FICTION

• THE TRIALS OF NURSE KERR by Scott Bainbridge (Bateman Books)
• THE SURVIVORS by Steve Braunias (HarperCollins)
• THE CREWE MURDERS by Kirsty Johnstone & James Hollings (Massey Uni Press)
• THE LAST SECRET AGENT by Pippa Latour & Jude Dobson (Allen & Unwin)
• GANGSTER’S PARADISE by Jared Savage (HarperCollins)
• FAR NORTH by David White & Angus Gillies (Upstart Press)

BEST FIRST NOVEL

• DARK SKY by Marie Connolly (Quentin Wilson Publishing)
• LIE DOWN WITH DOGS by Syd Knight (Rusty Hills)
• A FLY UNDER THE RADAR by William McCartney 
• THE DEFIANCE OF FRANCES DICKINSON by Wendy Parkins (Affirm Press)
• THE CALL by Gavin Strawhan (Allen & Unwin)
• KISS OF DEATH by Stephen Tester (Heritage Press)

BEST NOVEL

• RETURN TO BLOOD by Michael Bennett (Simon & Schuster)
• A DIVINE FURY by DV Bishop (Macmillan)
• WOMAN, MISSING by Sherryl Clark (HarperCollins)
• HOME TRUTHS by Charity Norman (Allen & Unwin)
• 17 YEARS LATER by JP Pomare (Hachette)
• THE CALL by Gavin Strawhan (Allen & Unwin)
• PREY by Vanda Symon (Orenda Books)

So, whodunnit and whowunnit? We'll find out very soon who's joining Greg McGee and several other superb Kiwi crime, mystery, and thriller writers on our Ngaio Marsh Awards roll of honour. 

Character first: 2025 Ngaio Marsh Awards finalists revealed

 

Character first: 2025 Ngaio Marsh Awards finalists offer page-turning tales that explore people and place

From a young Māori chef to a grieving family torn asunder by internet disinformation, wartime spies to comical Northland drug runners, the finalists for the 2025 Ngaio Marsh Awards offer readers a kaleidoscopic array of unforgettable characters, fictional and real, among compelling tales full of mystery and thrills, touching on vital issues of modern times and eras past

“In our fifteenth anniversary season of the Ngaio Marsh Awards, we’ve been blessed with a fascinating range of entries across our three categories, from a diverse array of Kiwi voices and stories, styles, and settings, making our international judging panels’ jobs both very enjoyable and at times very tricky,” says Ngaio Marsh Awards founder Craig Sisterson.

Now in their sixteenth season, the Ngaio Marsh Awards celebrate excellence in mystery, thriller, crime, and suspense writing from Aotearoa storytellers. The 2025 finalists were announced today in Best Non-Fiction, Best First Novel, and Best Novel categories. 

“As the likes of Val McDermid and Dennis Lehane have said, if you want to better understand a place, read its crime fiction,” says Sisterson. “Crime writing in its wider sense can deliver interesting insights alongside rollicking entertainment, and is an ideal form for delving into people and place, as well as broader societal issues. And in our case with the Ngaios, we certainly see that across both our fiction and non-fiction entries and finalists.” 

The Ngaio Marsh Award for Best Non-Fiction is a biennial prize first presented in 2017, and previously won by Michael Bennett, Kelly Dennett, Martin van Beynen, and Steve Braunias. 

From a fascinating array of 2025 entrants, this year’s six finalists explore some truly remarkable real-life tales, ranging from a fresh look at New Zealand’s most infamous cold case to the little-discussed deadly legacy of a 1930s Devonport nurse. The finalists are:

• THE TRIALS OF NURSE KERR by Scott Bainbridge (Bateman Books)
• THE SURVIVORS by Steve Braunias (HarperCollins)
• THE CREWE MURDERS by Kirsty Johnstone & James Hollings (Massey Uni Press)
• THE LAST SECRET AGENT by Pippa Latour & Jude Dobson (Allen & Unwin)
• GANGSTER’S PARADISE by Jared Savage (HarperCollins)
• FAR NORTH by David White & Angus Gillies (Upstart Press)

This year’s finalists for the Ngaio Marsh Award for Best First Novel, an annual award first presented in 2016, and won last year by Rotorua author Claire Baylis for DICE, her extraordinary novel providing a jury-eyed-view of a sexual assault case, are: 

• DARK SKY by Marie Connolly (Quentin Wilson Publishing)
• LIE DOWN WITH DOGS by Syd Knight (Rusty Hills)
• A FLY UNDER THE RADAR by William McCartney 
• THE DEFIANCE OF FRANCES DICKINSON by Wendy Parkins (Affirm Press)
• THE CALL by Gavin Strawhan (Allen & Unwin)
• KISS OF DEATH by Stephen Tester (Heritage Press)

“It’s really heartening each year to see the range of new voices infusing fresh perspectives into the crime and thriller backstreets of our local literary landscape,” says Sisterson. 

This year that ranges from a mystery set at Tekapo's Mt John Observatory to a legal thriller set against the Spanish flu epidemic, from a blackly comic crime caper from a Devonport lawyer to the gritty first novel from one of our most acclaimed screen storytellers. 

Lastly, the finalists for the 2025 Ngaio Marsh Award for Best Novel, selected by an international panel of crime and thriller experts from a remarkable 15-book longlist, are:

• RETURN TO BLOOD by Michael Bennett (Simon & Schuster)
• A DIVINE FURY by DV Bishop (Macmillan)
• WOMAN, MISSING by Sherryl Clark (HarperCollins)
• HOME TRUTHS by Charity Norman (Allen & Unwin)
• 17 YEARS LATER by JP Pomare (Hachette)
• THE CALL by Gavin Strawhan (Allen & Unwin)
• PREY by Vanda Symon (Orenda Books)

“It’s a dazzling group of finalists to emerge from a terrific longlist, and a fascinating broader group of entries that seems to get deeper and stronger every year,” says Sisterson. “Our international judges were full of praise for the entire longlist, and remarked on the world-class writing as well as compelling storytelling in many books that didn’t become finalists, as well as the overall variety within #yeahnoir, our Kiwi take on a globally popular genre.”

The 2025 Ngaio Marsh Awards finalists will be celebrated and this year’s winners announced at a special event, “The Ngaio Marsh Awards and The Murderous Mystery”, to be held in association with WORD Christchurch at Tūranga on Thursday, 25 September. The thrilling evening includes an improv murder mystery performance by the famed Court Theatre.  

Review: THE POOL

THE POOL by Hannah Tunnicliffe (Ultimo Press, 2024)

Reviewed by Karen Chisholm

Prince of spin and life of the party, Baz King, is missing. Nine years ago, at an innocent summer barbecue in Melbourne, everything imploded. For the Kings and the four other young families there that fateful day marriages fractured, friendships crumbled and lives were upended.

Nothing would ever be the same.

Now in their forties and their children teenagers, Baz King cannot be found. Has his charm finally run out? With a history of dodgy dealings and no shortage of motives, anyone could be a suspect – his ex-wife, Birdie; his colleague, Alex Turner; his lover, Jess and her husband, Richard; his friend’s nanny and new wife, Madison – who wants him out of the picture?.

The promotional material pushes the connection, and it's hard not to get a vibe of THE SLAP from the blurb of this one  - young families, a tragedy at a BBQ that implodes relationships, crumbles friendships and all, but fear not if you're feeling like this is another commentary on parenting, because I will confess that's kind of the worry I had going in as well, and not the feeling I had coming out the other side of Hannah Tunnicliffe's THE POOL.

The catalyst of this story is events at a BBQ, nine years ago in Melbourne, after which prince of spin, life of the party, father, Baz King vanished. It's easy to imagine that he's simply done a runner, what with a history of dodgy dealings and a plethora of reasons for him to disappear himself, but there's a lot of suspects on that day including ex-wife Birdie, new wife Madison, colleagues, friends and a complicated interweaving of children, staff, lovers, and married partners who also have lovers. And a eye-watering and skin-crawling tendency towards flaunted privilege, tacky interpersonal relationships, misogyny, and, it has to be said, some truly bloody awful parenting.

So a lot going on, and a big cast of characters which means readers may find themselves floundering a bit in the early stages - particularly as there's a type here - big noting, big talking, basically not a lot there blokes, and pretty, vapid, put upon women. There's leering, there's suggestive talk, there's men at the BBQ, women in the kitchen, and the constant bickering over who is watching what kids, and there's alcohol. All of which leads to a tragedy, which leads to fracturing, which leads to the idea that it's nine years later, things are finally setting down, and all those people, with all those motives have finished with their own dramas and look to what really happened back then. 

There's also a lot of points of view, and what is, ultimately a cast of pretty unlikeable people, which may not necessarily appeal to many readers, but it had a feeling of real life about it, perhaps because of that. It also made the drama that bit more heightened, the number of potentially unreliable narrator's high, and the mystery and lying all the more believable.

The more I think about it, the more I suspect THE POOL is the sort of novel that will appeal directly to lovers of books of the sorts of suburban noir that writers like Liane Moriarty, Sally Hepworth, Caroline Overington and Louise Candlish are known for. There will be others that I should have included on that list. Blame too many books, too few brain cells left for any unforgivable omissions.

Karen Chisholm is one of Australia's leading crime reviewers. She created Aust Crime Fiction in 2006, a terrific resource - please check it out. Karen also reviews for Newtown Review of Books, and has been a regular judge of the Ned Kelly Awards and Ngaio Marsh Awards. This review was first published on Karen's website; she kindly shares some of her reviews of crime and thriller novels written by New Zealanders adn Australians on Crime Watch as well as on Aust Crime Fiction. 

"A tasty amuse-bouche" - review of THE BABY IS MINE

THE BABY IS MINE by Oyinkan Braithwaite (Atlantic Press, 2021)

Reviewed by Craig Sisterson

When his girlfriend throws him out during the pandemic, Bambi has to go to his Uncle's house in lock-down Lagos. He arrives during a blackout, and is surprised to find his Aunty Bidemi sitting in a candlelit room with another woman. They both claim to be the mother of the baby boy, fast asleep in his crib.

At night Bambi is kept awake by the baby's cries, and during the days he is disturbed by a cockerel that stalks the garden. There is sand in the rice. A blood stain appears on the wall. Someone scores tribal markings into the baby's cheeks. Who is lying and who is telling the truth?

Readers around the world have been looking forward to another novel from Nigerian star Oyinkan Braithwaite since her superb My Sister, the Serial Killer debuted to global acclaim pre-pandemic. That darkly funny slice of Lagos domestic noir was shortlisted for the 2019 Women’s Prize and longlisted for the Booker Prize, among other accolades.

The wait is nearly over, as next month Braithwaite’s second novel, Cursed Daughters, will be released. In the meantime however, readers can enjoy this fascinating novella. Set during the pandemic, it sees our protagonist Bambi kicked out of his girlfriend’s house. With Lagos in a blackout as well as lockdown, and with nowhere to go, he drives across the city to his late uncle’s house, only to be surprised by his Aunty Bidemi, and his uncle’s mistress, Esohe. And a baby.

Already under pressure, longtime playboy Bambi finds himself in a surreal world of bottle feeding, dirty nappies, and two women who both claim to be the baby’s mother. A stray cockerel stalks the garden. Someone puts sand in the rice. His aunty has to scrub blood stains off a wall. The baby’s cheeks are scratched with tribal markings. Who can Bambi believe – his grieving aunty, or Esohe, who had once shared Bambi’s bed too?

Braithwaite crafts a fast-flowing read full of darkness and humour. Aptly touted as a ‘blackly funny piece of Lagos gothic’, The Baby Is Mine is a lovely wee gift from a talented storyteller; a tasty amuse-bouche between the fuller courses of her novels..

[This review was first published in the August 2025 issue of Good Reading magazine in Australia]

Craig Sisterson is a lawyer turned writer, editor, podcast host, awards judge, and event chair. He's the founder of the Ngaio Marsh Awards, co-founder of Rotorua Noir, author of Macavity and HRF Keating Award-shortlisted non-fiction work SOUTHERN CROSS CRIME, editor of the DARK DEEDS DOWN UNDER anthology series, and writes about books for magazines and newspapers in several countries.

"Lingers long after the final page" - review of THE GIRL IN CELL A

THE GIRL IN CELL A by Vaseem Khan (Hachette, 2025)

Reviewed by Craig Sisterson

Convicted of murder at seventeen, infamous killer and true crime celebrity Orianna Negi has always maintained her innocence. BUT IF SHE DIDN'T KILL GIDEON WYCLERC...

Orianna has a blind spot over that fateful she can't remember what happened. Forensic psychologist Annie Ledet is tasked with unlocking the truth... THEN WHO DID?

Orianna grew up in Eden Falls, ruled by the insular Wyclerc dynasty and its ruthless patriarch , Amos. As their sessions progress, Annie reaches into Orianna's past to a shattering realisation... Scandal. Sex. Power. Race. And murder. Between guilt and innocence lies a fallen Eden.. 

Mystery readers may be pretty familiar with Vaseem Khan, the most recent Chair of the famed Crime Writers Association, thanks to his two fabulous series set in India - the Baby Ganesh mysteries, and the Malabar House historical mysteries set in post-Raj years. But the British-Indian author provides something very different with The Girl in Cell A, the first of two curveballs the sports-loving storyteller is throwing in 2025 (keep an eye out for his ‘James Bond universe’ thriller later this year).

Alternating between doctor and patient perspectives of prison psychologist Annie Ledet and celebrity killer Orianna Negi, The Girl in Cell A is a masterful mix of psychological thriller and rural noir. While Orianna has always maintained her innocence, despite being unable to recall events, it was no surprise she was convicted of killing Gideon Wyclerc, scion of the family that founded Eden Falls. She was found lying near the body, her fingerprints were on the shotgun, gunshot residue on

her, and plenty of motive given events of that day, and her entire life. A black teen with dissociative amnesia, a controversial diagnosis fuelling Orianna’s true crime celebrity, and plenty of online conspiracy theories. Can Annie Ledet uncover the truth; should Orianna ever be released?

Khan soaks readers in a town full of secrets and scandals and a crumbling dynasty with its own mythology. The Girl in Cell A is an impressive novel about the stories we believe and the lies we tell others and ourselves, that lingers long after its final page.

[This review was first published in the Summer 2025 issue of Deadly Pleasures magazine in the USA]

Craig Sisterson is a lawyer turned writer, editor, podcast host, awards judge, and event chair. He's the founder of the Ngaio Marsh Awards, co-founder of Rotorua Noir, author of Macavity and HRF Keating Award-shortlisted non-fiction work SOUTHERN CROSS CRIME, editor of the DARK DEEDS DOWN UNDER anthology series, and writes about books for magazines and newspapers in several countries.

"Rich in character and place, beautifully written" - review of THE VANISHING PLACE

THE VANISHING PLACE by Zoe Rankin (Moa Press, August 2025)

Reviewed by Craig Sisterson

On the remote West Coast of the South Island, vast forests stretch out between mountain ranges and rugged beaches. There, in the small town of Koraha, not a lot happens - until a young girl with blood on her hands walks out of the bush and into the local store, collapsing to the floor.

She can't - or won't - speak to anyone. It's the town's sole policeman who recognises her face. She looks exactly like a local girl who disappeared twenty years ago. She has the same red hair. The same green eyes. What horrors has she left behind in the bush? Who will come looking for her? And what secrets are about to come to light?

A twisty and daring thriller about how those close to you can be even more dangerous than the deadliest wilderness. 

Scotland-born author Zoë Rankin’s passion for the outdoors seeps through the pages of her outstanding debut The Vanishing Place, which takes readers deep into the rugged, deadly magnificence of the New Zealand bush. It’s a compelling, atmospheric tale set on the ‘wild West Coast’ of her adopted homeland’s South Island, entwined with smalltown secrets, past sins, atypical upbringings, and religious fervour. With an exceptionally strong sense of people and place; you can almost smell the fern-encrusted undergrowth as you read, hear the babbling streams and birdsong, and feel the scratching anxiety of just how easy it would be to vanish in such isolated back country.

As we begin, Effie is a highly capable police officer on the Isle of Skye in Scotland who has a habit of sometimes stubbornly getting in over her head. Putting herself and others in danger, with the best of intentions. She has always loved remote places, despite mixed memories of growing up in a cabin deep in the bush outside of Koraha, a tiny West Coast settlement, before escaping to the far side of the world as a teenager. But when a girl who looks just like Effie stumbles into a Koraha store, covered in blood, bringing back echoes of a troubling past to the small community, Effie is called back to New Zealand to try to find answers, including what happened to the rest of her own family?

There is a lot to love about The Vanishing Place. Rankin, who has won prizes for her short story writing and been knocking on the door of the (novel) publishing world for a while, masterfully immerses readers in Effie’s tale, past and present, along with that of Lewis, the boy who saved her many years ago, and is now a sole-charge policeman on the West Coast who is trying to deal with Anya, the bloodied young girl who’d appeared out of the bush. The Vanishing Place is an exceptionally well-crafted thriller, rich in character and place, beautifully written.

[This review was first published in the Summer 2025 issue of Deadly Pleasures magazine in the USA]

Craig Sisterson is a lawyer turned writer, editor, podcast host, awards judge, and event chair. He's the founder of the Ngaio Marsh Awards, co-founder of Rotorua Noir, author of Macavity and HRF Keating Award-shortlisted non-fiction work SOUTHERN CROSS CRIME, editor of the DARK DEEDS DOWN UNDER anthology series, and writes about books for magazines and newspapers in several countries.

"Fun read with nods to Christie, grief, and memento mori" - review of FIVE FOUND DEAD

FIVE FOUND DEAD by Sulari Gentill (Poisoned Pen Press, August 2025)

Reviewed by Craig Sisterson

On a train, there are only so many places to hide… Crime fiction author Joe Penvale has won the most brutal battle of his life. Now that he has finished his intense medical treatment, he and his twin sister, Meredith, are boarding the glorious Orient Express in Paris, hoping for some much-needed rest and rejuvenation. Meredith also hopes that the literary ghosts on the train will nudge Joe's muse awake, and he'll be inspired to write again. And he is; after their first evening spent getting to know some of their fellow travelers, Joe pulls out his laptop and opens a new document. Seems like this trip is just what the doctor ordered…

And then some. The next morning, Joe and Meredith are shocked to witness that the cabin next door has become a crime scene, bathed in blood but with no body in sight. The pair soon find themselves caught up in an Agatha Christie-esque murder investigation. Without any help from the authorities, and with the victim still not found, Joe and Meredith are asked to join a group of fellow passengers with law enforcement backgrounds to look into the mysterious disappearance of the man in Cabin16G. But when the steward guarding the crime scene is murdered, it marks the beginning of a killing spree which leaves five found dead―and one still missing. Now Joe and Meredith must fight once again to preserve their newfound future and to catch a cunning killer before they reach the end of the line.

The Orient Express. An iconic multi-day train journey between Paris and Istanbul that for more than a century has symbolised both luxury travel, and murder, thanks to Agatha Christie’s iconic 1934 novel. The mere words can’t help but conjure images of a moustachioed Belgian sleuth, in whichever of his various forms, from Albert Finney to Kenneth Branagh, Alfred Molina to David Suchet.

While there is no Poirot in sight, there are plenty of sleuths on board in Five Found Dead, Sri Lankan-Australian crime writer Sulari Gentill’s modern homage to the Christie Classic. Narrator Meredith is a lawyer accompanying her twin Joe on a once-in-a-lifetime trip, celebrating Joe surviving a life-threatening illness, and to hopefully rekindle his crime writing mojo. Their fellow passengers include former spies, police officers, private eyes, and a pair of sisters on the trail of a swindler. Suspicious? Or merely to be expected given the iconic train’s drawcard mix of literary history and luxury?

Joe’s muse is stirred by the setting and company; on the first evening he begins to write again. But the next morning the murder mysteries become all-too-real, as the cabin next door is bathed in blood. But where’s the body? Cut off from the outside due to various factors, including a COVID strain tearing through parts of the train, Joe and Meredith are requested to join a group looking to find answers. But what if one of them is the killer? Especially as other bodies begin to show up.

Gentill, who earlier this year won the Mary Higgins Clark Award for her novel The Mystery Writer at the 2025 Edgar Allan Poe Awards, clearly has lots of love for Golden Age-style mysteries given her own terrific series set in 1930s Australia starring artist-sleuth Rowly Sinclair. She appears to be thoroughly enjoying herself with Five Found Dead, a clever and engrossing mystery that like her prior novel plays with the mystery genre, and has plenty of winks and nods to Christie, Hitchcock, and others. There’s even an appearance by real-life Australian books podcasters Flex & Herds (who host "Death of the Reader", which deep-dives into classic and foreign mystery fiction), who enthusiastically (and dangerously?) insert themselves into the investigation.

It’s a fun read, and more, that like Christie herself at times, rides the implausibility curve to its limits. But there’s depth here too, Gentill threads in nods to memento mori and meditations on the fragility of life – perhaps inspired by her own cancer scare - as Joe and others confront their mortality..

[This review was first published in Deadly Pleasures magazine in the United States]

Craig Sisterson is a lawyer turned writer, editor, podcast host, awards judge, and event chair. He's the founder of the Ngaio Marsh Awards, co-founder of Rotorua Noir, author of Macavity and HRF Keating Award-shortlisted non-fiction work SOUTHERN CROSS CRIME, editor of the DARK DEEDS DOWN UNDER anthology series, and writes about books for magazines and newspapers in several countries.